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gerry's Site

HomeAbout MeOct 28, 2008
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zanetrow wrote on Jan 9
Interesting, I would say your overall critique of Brisbane here could be expanded to include just about any other contemporary art form as well. Yes, it really is that bad, and yes, only unrestricted DIY action will create anything resembling diversity of form or content across the cultural malaise.
taramokhtari wrote on Jun 27, '11
I enjoyed this. I'm generally not keen on spoken word or contemporary performance poetry. I find the idea of competitive arts in Slam poetry contrived (I also find poetry competitions pointless), the stuff people write for local readings usually seems either lazy or overly egocentric and the reading themselves more like fashion shows than a sharing of work. It just tires me out.

It's interesting what you say about restrictiveness. If only the restrictions were based on some kind of transparent and thought-out manifesto rather than on timing and technology.

I recently got my poetry writing students at UWS to do a reading of work they'd produced over the semester, with a view to getting them to write poems that are both publishable and performable (like the Beats did). This forced them to really do the work, think about form and structure as well as voice and sound technique. It was a success, great energy, some really solid work from first-time poets.
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Blog EntryBlogJan 10, 2012
The most engaging introduction I’ve ever written for Charlotte’s poetry invoked telekinesis, when I believed in such phenomena (see the zine Psychic Surgery under the “Zine” heading on the main page). If you’re on a good thing stick to it,... more
Previous blog entries:
Jan 10-Psychic Surgery
Jan 10-The Poetic and other Works of Charlotte Rose Regan
Oct 11-Calrizzaphrenalia
   View All
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